5.0 韓語?·?2023?·?韓國?·?劇情片?
李明河,河成國,???,???
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang
6.0 韓語?·?2023?·?韓國?·?愛情片?
李明河,河成國,???,???
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
9.0 韓語?·?2021?·?韓國?·?劇情片?
申錫鎬,樸美姬,金英浩,藝智苑,奇周峯,徐永嬅,金敏喜,趙允熙,河成國
英浩被身為醫(yī)生的父親召見，發(fā)現(xiàn)他正忙著給病人看病，其中一個是著名的演員，于是他不得不等待。他的女朋友Juwon搬到柏林去讀書，英浩為了給她一個驚喜，出現(xiàn)在這個城市。Juwon通過母親在一個藝術(shù)家那里找到了住處，他的美貌讓她驚懼。一段時(shí)間后，英浩和他的母親一起去吃午飯，母親想給他介紹一個同事，正好就是英浩在父親的診所遇到的那個人。英浩讓朋友貞秀陪他一起去，午飯后他們?nèi)チ撕＿?。英浩睡著了，夢見了Juwon。醒來后，他冒著嚴(yán)寒去游泳，貞秀在一旁看著。
7.0 韓語?·?2023?·?韓國?·?劇情片?
奇周峯,金敏喜,宋宣美,樸美姬,河成國
女演員回國後住在朋友家，逗逗胖胖的貓咪，與想入行的表妹見面，還好像感到園裏的花跟她說話。男詩人獨(dú)居，女生來拍他的紀(jì)錄片，年輕男演員登門拜訪，詩人為了健康理由戒煙戒酒，但言談甚歡下又重拾杯中物。兩個平行小故事，都發(fā)生在一天內(nèi)，看來無關(guān)又似有呼應(yīng)，主角吃麵都愛加辣椒醬，也剛巧都有個不常彈的結(jié)他。洪常秀拍完《水中鏡花》（47屆），再次包攬編導(dǎo)攝影剪接美術(shù)和音樂，彷彿無招勝有招，讓金珉禧與奇周峯在各自的細(xì)碎生活對話裏，看來雲(yún)淡風(fēng)輕，卻散逸魅力。
10.0 法語?·?2024?·?韓國?·?劇情片?
伊莎貝爾·于佩爾,李慧英,權(quán)海驍,趙允熙,河成國
來自法國的旅行者伊麗絲在韓國擔(dān)任法語家庭教師賺取生活費(fèi)。語言的隔閡讓她和學(xué)生之問的交流充滿錯位感，東亞文化中不善于思考和表達(dá)內(nèi)心情感的“痼疾"又與渴望交流與開放的心態(tài)交織在一起，觸發(fā)了只有異國旅行者才能感受到的特殊孤獨(dú)與惆悵。被譽(yù)為韓國作者電影第一人的導(dǎo)演洪常秀繼《在異 國》《克萊爾的相機(jī)》之后與法國國寶級女演員伊莎貝爾·于佩爾再度合作，用極簡主義的拍攝手法呈現(xiàn)細(xì)致入微的人際關(guān)系精妙互動，斬獲2024年第74屆柏林國際電影節(jié)評審團(tuán)銀熊獎。