9.0 ?·?2025?·?美國?·?恐怖片?
Daniel Roebuck,Daniel RoebuckLisa Wilcox,Sadie Katz
暫無簡介
7.0 英語?·?1938?·?英國?·?劇情片?
Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
5.0 英語?·?2008?·?美國?·?劇情片?
瑞恩·菲利普,約瑟夫·高登-萊維特,羅伯·布朗,查寧·塔圖姆,維克多·羅塞克,Quay Terry,Matthew Scott Wilcox,Connett Brewer,蒂莫西·奧利芬特,約瑟夫·索默,琳達(dá)·伊蒙,塞倫·希德,麥米·古默,艾比·考尼什,阿里克斯·弗羅斯特
備受期待的伊戰(zhàn)影片《止損》由三位人氣男星萊恩·菲利普、查寧·塔圖姆、約瑟夫·高登·萊維特主演?！ ∑皊top-loss”（止損）原本是金融外匯領(lǐng)域常見的詞語，大致指投資失誤時(shí)設(shè)法把損失限定在較小范圍內(nèi)的一種行為。越戰(zhàn)之后這個(gè)詞被美國政府加以利用，“stop-loss procedure”（止損程序）是指軍方在其認(rèn)定的緊急情況下，強(qiáng)迫已經(jīng)履行完畢服役期間的任務(wù)或者有條件退休的士兵延長服役時(shí)間的一種行為。根據(jù)一項(xiàng)估計(jì)，這一備受爭議的政策使得大概有7000名原定可以回國的美軍士兵被迫滯留在伊拉克?！ ∑杏扇R恩·菲利普飾演的布蘭登·金中士帶著榮譽(yù)回到了家鄉(xiāng)小城并打算重建自己的生活，但是軍方在止損程序下強(qiáng)行要求他立即回到伊拉克繼續(xù)服役，不得已之下布蘭登開始了亡命天涯的旅程，逃避一個(gè)他原本不惜生命去保護(hù)的國家的所謂“正義”。
9.0 英語?·?2024?·?美國?·?動(dòng)作片?
Danielle,Evon,Ploeger,Luke,Wilcox,Darius,Autry
It's 2007 in Fresno, Texas. RAPHAEL (19) is in county jail following an arrest for graffiti. He's a good kid. It's just graffiti. So you can't blame Raphael for the events that unfold after his arrest. He's not responsible for the sting operation, the suicide, Flophouse's new mix-tape, Officer Williams and her delusional suspicions, the meth pipes, the FBI, the rich kids with n...
9.0 英語?·?2024?·?美國?·?恐怖片?
Jamie Alvey,Brandi Botkin,John Conners,Erica Dodt,漢娜·費(fèi)爾曼,Deaton Gabbard,Zach Hurley,Callie Kirk,Mary Beth McAndrews,Chaney Morrow,Garrett Murphy,Eric Six,Bob Wilcox
大學(xué)女生Abby參加心儀的男孩辦的派對，這幫男生卻將來的一些女孩下藥、強(qiáng)暴，并玩起獵殺。Abby逃出后遇上一對情侶Clare和Gray，在這個(gè)血腥、混亂的夜晚，三人結(jié)成了意料之外的聯(lián)盟，為生存而戰(zhàn)。
9.0 英語?·?2024?·?美國?·?恐怖片?
Jamie,Alvey,Brandi,Botkin,John,Conners,Erica,Dodt,漢娜·費(fèi)爾曼,Deaton,Gabbard,Zach,Hurley,Callie,Kirk,Mary,Beth,McAndrews,Chaney,Morrow,Garrett,Murphy,Eric,Six,Bob,Wilcox
大學(xué)女生Abby參加心儀的男孩辦的派對，這幫男生卻將來的一些女孩下藥、強(qiáng)暴，并玩起獵殺。Abby逃出后遇上一對情侶Clare和Gray，在這個(gè)血腥、混亂的夜晚，三人結(jié)成了意料之外的聯(lián)盟，為生存而戰(zhàn)。
8.0 英語?·?2018?·?美國?·?歐美劇?
約翰尼·李·米勒,劉玉玲,喬恩·邁克爾·希爾,艾丹·奎因,戴斯蒙德·哈靈頓,布雷特·道頓,翠斯提·凱莉·鄧恩,喬丹·蓋爾伯,Wayne Wilcox
《基本演繹法》正式續(xù)訂第6季。
7.0 英語?·?1938?·?英國?·?劇情片?
Anna Neagle,Anton Walbrook,C. Aubrey Smith,Walter Rilla
Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
7.0 英語?·?2018?·?美國?·?歐美劇?
約翰尼·李·米勒,劉玉玲,喬恩·邁克爾·希爾,艾丹·奎因,戴斯蒙德·哈靈頓,布雷特·道頓,翠斯提·凱莉·鄧恩,喬丹·蓋爾伯,Wayne,Wilcox
《基本演繹法》正式續(xù)訂第6季。