5.0 韓語(yǔ)?·?2023?·?韓國(guó)?·?劇情片?
李明河,河成國(guó),???,???
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far. 源自：https://www.mardelplatafilmfest.com/38/en/pelicula/mimang
6.0 韓語(yǔ)?·?2023?·?韓國(guó)?·?愛(ài)情片?
李明河,河成國(guó),???,???
More than once, the protagonists in Mimang wonder where they are and where they’re going—it is a concrete, geographical question born from walking around the streets of Seoul, but as the film progresses, that urban journey also proves to be an existential one. We accompany the characters in some stretches of their path—many years separate each of the episodes that make up the film, and that distance reveals changes through what remains. This is not a film about earthquakes, but about small transformations, and the marks of time can be seen not only in the actors’ bodies, but also in that other omnipresent protagonist that is Seoul, whose vitality invades every shot. Like others before him (it’s inevitable to think about Truffaut or Linklater), here, Kim Taeyang reminds us that cinema is the best time machine that has been invented so far.
5.0 韓語(yǔ)?·?2025?·?韓國(guó)?·?劇情片?
河成國(guó),姜素怡,權(quán)海驍,趙允熙,樸美素
一位年輕的詩(shī)人送女友到她父母家，并對(duì)她家的規(guī)模感到驚訝。他偶遇了她的父親，見(jiàn)到了她的母親和姐姐，最后他們?cè)谡勗挕⒚朗澈兔谰浦幸黄鸲冗^(guò)了充實(shí)的一天。
9.0 韓語(yǔ)?·?2021?·?韓國(guó)?·?劇情片?
申錫鎬,樸美姬,金英浩,藝智苑,奇周峯,徐永嬅,金敏喜,趙允熙,河成國(guó)
英浩被身為醫(yī)生的父親召見(jiàn)，發(fā)現(xiàn)他正忙著給病人看病，其中一個(gè)是著名的演員，于是他不得不等待。他的女朋友Juwon搬到柏林去讀書，英浩為了給她一個(gè)驚喜，出現(xiàn)在這個(gè)城市。Juwon通過(guò)母親在一個(gè)藝術(shù)家那里找到了住處，他的美貌讓她驚懼。一段時(shí)間后，英浩和他的母親一起去吃午飯，母親想給他介紹一個(gè)同事，正好就是英浩在父親的診所遇到的那個(gè)人。英浩讓朋友貞秀陪他一起去，午飯后他們?nèi)チ撕＿?。英浩睡著了，?mèng)見(jiàn)了Juwon。醒來(lái)后，他冒著嚴(yán)寒去游泳，貞秀在一旁看著。
9.0 韓語(yǔ)?·?2022?·?韓國(guó)?·?劇情片?
李慧英,金敏喜,徐永嬅,樸美姬,權(quán)海驍,趙允熙,河成國(guó),奇周峯,李銀美,金詩(shī)荷
故事講述了小說(shuō)家俊熙（李慧英 飾）遠(yuǎn)道而來(lái)拜訪后輩的書店，獨(dú)自散步并遇見(jiàn)電影導(dǎo)演夫婦和演員，并說(shuō)服女演員（金敏喜 飾）一起拍電影的故事。
7.0 韓語(yǔ)?·?2023?·?韓國(guó)?·?劇情片?
奇周峯,金敏喜,宋宣美,樸美姬,河成國(guó)
女演員回國(guó)後住在朋友家，逗逗胖胖的貓咪，與想入行的表妹見(jiàn)面，還好像感到園裏的花跟她說(shuō)話。男詩(shī)人獨(dú)居，女生來(lái)拍他的紀(jì)錄片，年輕男演員登門拜訪，詩(shī)人為了健康理由戒煙戒酒，但言談甚歡下又重拾杯中物。兩個(gè)平行小故事，都發(fā)生在一天內(nèi)，看來(lái)無(wú)關(guān)又似有呼應(yīng)，主角吃麵都愛(ài)加辣椒醬，也剛巧都有個(gè)不常彈的結(jié)他。洪常秀拍完《水中鏡花》（47屆），再次包攬編導(dǎo)攝影剪接美術(shù)和音樂(lè)，彷彿無(wú)招勝有招，讓金珉禧與奇周峯在各自的細(xì)碎生活對(duì)話裏，看來(lái)雲(yún)淡風(fēng)輕，卻散逸魅力。
10.0 韓語(yǔ)?·?2021?·?韓國(guó)?·?劇情片?
李慧英,趙允熙,權(quán)海驍,申錫鎬,河成國(guó),金璽碧,徐永嬅,李銀美
擅以極簡(jiǎn)手法挖掘男女情感關(guān)系的韓國(guó)名導(dǎo)洪常秀，新作《在你面前》讓繆斯金珉禧退居幕后，邀來(lái)韓國(guó)影視資深女星李慧英飾演一位重新適應(yīng)韓國(guó)生活的中年女子，埋著秘密和姊姊生活在一起，她和一名導(dǎo)演相約在首爾巷弄里的小酒吧見(jiàn)面，正當(dāng)兩人打開(kāi)話題、酒酣耳熱之際，外頭突然下起傾盆雷雨。洪常秀以看似日常的舉止，韻味十足的對(duì)白，男女一來(lái)一往間，竟也帶出衰老與死亡的生命頓悟。
10.0 法語(yǔ)?·?2024?·?韓國(guó)?·?劇情片?
伊莎貝爾·于佩爾,李慧英,權(quán)海驍,趙允熙,河成國(guó)
來(lái)自法國(guó)的旅行者伊麗絲在韓國(guó)擔(dān)任法語(yǔ)家庭教師賺取生活費(fèi)。語(yǔ)言的隔閡讓她和學(xué)生之問(wèn)的交流充滿錯(cuò)位感，東亞文化中不善于思考和表達(dá)內(nèi)心情感的“痼疾"又與渴望交流與開(kāi)放的心態(tài)交織在一起，觸發(fā)了只有異國(guó)旅行者才能感受到的特殊孤獨(dú)與惆悵。被譽(yù)為韓國(guó)作者電影第一人的導(dǎo)演洪常秀繼《在異 國(guó)》《克萊爾的相機(jī)》之后與法國(guó)國(guó)寶級(jí)女演員伊莎貝爾·于佩爾再度合作，用極簡(jiǎn)主義的拍攝手法呈現(xiàn)細(xì)致入微的人際關(guān)系精妙互動(dòng)，斬獲2024年第74屆柏林國(guó)際電影節(jié)評(píng)審團(tuán)銀熊獎(jiǎng)。