9.0 英語?·?1937?·?美國?·?動畫動漫?
阿德里亞娜·卡塞洛蒂,哈利·斯托克維爾,羅伊·阿特威爾,Stuart,Buchanan,艾迪·柯林斯,Vance,Colvig,Jr.,Marion,Darlington,比利·吉爾伯特,Otis,Harlan,露西兒·拉·凡爾納,詹姆斯·麥克唐納,Scotty,Mattraw,克拉倫斯·納什,莫洛尼·奧爾森,Purv,Pullen
白雪公主原本是世界上最幸福的人，可惜當她母后逝去，父王娶了她繼母后，這一切都改變了。惡毒的繼母處處為難白雪公主，當她父王也死后，白雪公主過得更艱難了。這天，皇后從魔鏡中得知世上最美的人不是自己而是白雪公主后，氣急敗壞的她下令武士將她帶到森林處決了，好心的武士放走了白雪公主。夜晚，森林里的七個小矮人收留了無家可歸的白雪公主。當皇后得知白雪公主還沒死時，氣急敗壞的她決定親自出馬將白雪公主害死。第二天，她化妝成了一個老婆婆，帶著毒蘋果往森林深處走去。
8.0 英語?·?1943?·?美國?·?劇情片?
約翰·里德格利,吉格·楊,阿瑟·肯尼迪,查爾斯·德拉克,哈里·凱瑞,喬治·托比厄斯,沃德·伍德,雷·蒙哥馬利,約翰·加菲爾德,詹姆斯·布朗,斯坦利·里吉斯,威拉德·羅伯遜,莫洛尼·奧爾森,愛德華·布羅菲,理查德·萊恩
好萊塢在二次世界大戰(zhàn)期間拍攝的最佳抗戰(zhàn)宣傳片之一。導(dǎo)演霍華德真實地拍攝了美國空軍B-17轟炸機 “瑪麗安”號及有關(guān)的轟炸藥小組成員的故事，全片的“政治意識”十分鮮明，但并不影響故事的推展。編劇達德利撰寫的對白精簡有力，不少場面的安排反映出他對空軍的敬意，戰(zhàn)斗動作場面高精尖緊湊刺激。
8.0 英語?·?1939?·?美國?·?劇情片?
喬治·拉夫特,簡·布賴恩,威廉·霍爾登,亨弗萊·鮑嘉,弗勞拉·羅博森,保羅·凱利,李·帕特里克,亨利·奧尼爾,Frankie Thomas,莫洛尼·奧爾森,Margot Stevenson,馬克·勞倫斯,Joe Downing,萊奧·喬西,William Haade
克里夫和查克一起從獄中釋放回到社會，克里夫已經(jīng)金盆洗手，此時他只想過上正常人的普通生活，但他無法抵擋查克的誘惑又重新回到犯罪團伙中，當他賺夠了讓弟弟結(jié)婚和買倉庫做生意的錢后他這次打算永遠從黑幫中隱退，但又一次他為了解救困境中的查克時，讓他走上了不歸路。
5.0 英語?·?1937?·?美國?·?歐美動漫?
阿德里亞娜·卡塞洛蒂,哈利·斯托克維爾,羅伊·阿特威爾,Stuart,Buchanan,艾迪·柯林斯,Vance,Colvig,Jr.,Marion,Darlington,比利·吉爾伯特,Otis,Harlan,Lucille,La,Verne,James,MacDonald,Scotty,Mattraw,克拉倫斯·納什,莫洛尼·奧爾森,Purv,Pullen
白雪公主原本是世界上最幸福的人，可惜當她母后逝去，父王娶了她繼母后，這一切都改變了。惡毒的繼母處處為難白雪公主，當她父王也死后，白雪公主過得更艱難了。這天，皇后從魔鏡中得知世上最美的人不是自己而是白雪公主后，氣急敗壞的她下令武士將她帶到森林處決了，好心的武士放走了白雪公主。夜晚，森林里的七個小矮人收留了無家可歸的白雪公主。當皇后得知白雪公主還沒死時，氣急敗壞的她決定親自出馬將白雪公主害死。第二天，她化妝成了一個老婆婆，帶著毒蘋果往森林深處走去。
7.0 英語?·?1934?·?美國?·?愛情片?
弗雷德里克·馬奇,伊夫琳·維納布爾,蓋伊·斯坦丁,凱瑟琳·亞歷山大,吉爾·帕特里克,凱瑟琳·霍華德,肯特·泰勒,亨利·崔佛斯,G·P·亨特利,莫洛尼·奧爾森,赫克托·薩爾諾,菲利普斯·斯莫利,Helen Westley,Anna De Linsky,Otto Hoffman,Frank Yaconelli
Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play La Morte in Vacanza by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but na?ve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line The Weirdest Love Story ever told! (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake Death Takes A Holiday (1971)
8.0 英語?·?1937?·?美國?·?歐美劇?
阿德里亞娜·卡塞洛蒂,哈利·斯托克維爾,羅伊·阿特威爾,Stuart Buchanan,艾迪·柯林斯,Vance Colvig Jr.,Marion Darlington,比利·吉爾伯特,Otis Harlan,Lucille La Verne,James MacDonald,Scotty Mattraw, 克拉倫斯·納什,莫洛尼·奧爾森,Purv Pullen
白雪公主原本是世界上最幸福的人，可惜當她母后逝去，父王娶了她繼母后，這一切都改變了。惡毒的繼母處處為難白雪公主，當她父王也死后，白雪公主過得更艱難了。這天，皇后從魔鏡中得知世上最美的人不是自己而是白雪公主后，氣急敗壞的她下令武士將她帶到森林處決了，好心的武士放走了白雪公主。夜晚，森林里的七個小矮人收留了無家可歸的白雪公主。當皇后得知白雪公主還沒死時，氣急敗壞的她決定親自出馬將白雪公主害死。第二天，她化妝成了一個老婆婆，帶著毒蘋果往森林深處走去。