5.0 英語?·?2025?·?意大利 / 西班牙?·?歐美劇?
詹·亞曼,阿蘭娜·布盧爾,阿萊桑德羅·普萊齊奧西,愛德·維斯特維克,約翰·漢納,Madeleine,Price,薩穆埃萊·塞格雷托,Mark,Grosy,Gilberto,Gliozzi,Freddy,Drabble,安吉麗卡·德維,Marcus,Hodson,瑟吉·諾普科,Mauro,Aversano,Samuel,Kay,山內(nèi)春彥,西蒙·里佐尼,Mattia,Sonnino,Giulia,Fr
In Borneo, Sandokan is a pirate who lives by the day: he fights only for himself and his crew. But his life changes when he meets Marianne, the beautiful daughter of the British consul in Labuan. It is the beginning of an impossible love affair between tw
9.0 其它?·?2000?·?其它?·?劇情片?
莫妮卡·貝魯奇,朱塞佩·蘇爾法羅,Luciano Federico,瑪?shù)贍柕隆て喖{,Pietro Notarianni,Gaetano Aronica,Gilberto Idonea,Angelo Pellegrino,Gabriella Di Luzio,Pippo Provvidenti,埃麗薩·莫魯奇,奧羅拉·夸特羅基,露琪亞·薩多,瓦尼·布拉馬蒂,Salvatore Martino,安東
當(dāng)我還只是十三歲時(shí)，1941年春末的那一天，我初次見到了她那一天，墨索里尼向英法宣戰(zhàn)，而我，得到了生命里的第一輛腳踏車。 她，撩著波浪狀黑亮的秀發(fā)，穿著最時(shí)髦的短裙和絲襪，踏著充滿情欲誘惑的高跟鞋，來到了西西里島上寧靜的陽光小鎮(zhèn)。她的一舉一動(dòng)都引人矚目、勾人遐想，她的一顰一笑都教男人心醉、女人羨妒?，斏從龋駛€(gè)女神一般，征服了這個(gè)海濱的天堂樂園?！ ∧陜H十三歲的雷納多也不由自主地掉進(jìn)了瑪蓮娜所掀起的漩渦之中，他不僅跟著其他年紀(jì)較大的青少年們一起騎著單車，穿梭在小鎮(zhèn)的各個(gè)角落，搜尋著瑪蓮娜的誘人豐姿與萬種風(fēng)情，還悄悄地成為她不知情的小跟班，如影隨形地跟監(jiān)、窺視她的生活。她搖曳的倩影、她聆聽的音樂、她貼身的衣物都成為這個(gè)被荷爾蒙淹沒的少年，最真實(shí)、最美好的情欲幻想。 然而，透過雷納多的眼，我們也看到了瑪蓮娜掉進(jìn)了越來越黑暗的處境之中，她變成了寡婦，而在鎮(zhèn)民們的眼中，她也成了不折不扣的禍水，帶來了淫欲、嫉妒與忿怒，而一股夾雜著情欲與激憤的風(fēng)暴，開始襲卷這個(gè)連戰(zhàn)爭(zhēng)都未曾侵?jǐn)_的小鎮(zhèn)?！ ‖斏從纫徊讲降爻翜S，與父親斷絕了關(guān)系、被送上法院，更失去了所有的財(cái)產(chǎn)，這使得向來天真、不經(jīng)世事的雷納多，被迫面對(duì)這純樸小鎮(zhèn)中，人心的殘暴無情，看著已經(jīng)一無所有的瑪蓮娜，雷納多竟鼓起了他所不曾有過的勇氣，決定靠著他自己的力量，以一種教人難以料想的方式，來幫助瑪蓮娜走出生命的泥沼……
9.0 其它?·?1969?·?其它?·?劇情片?
Gila Almagor
The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography. The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic. Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens. The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film. It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief. Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas. Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film. This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
6.0 英語?·?1994?·?英國?·?恐怖片?
西格妮·韋弗,本·金斯利,斯圖亞特·維爾森,Krystia Mova,Jonathan Vega,Rodolphe Vega,Gilberto Cortés,Jorge Cruz,Carlos Moreno,Eduardo Valenzuela,Sergio Ortega Alvarado,凱倫·斯特拉斯曼
波利娜（西格妮·韋弗 Sigourney Weaver飾）曾經(jīng)被一個(gè)男子施暴，被蒙著眼的她一直不知道罪人是誰，她的性格也變得神經(jīng)兮兮。她的丈夫杰拉多（斯圖爾特·威爾遜 Stuart Wilson飾）當(dāng)選委員會(huì)主席后回到家中，就發(fā)現(xiàn)波利娜有著一些比平時(shí)更怪異的舉動(dòng)。她甚至把前來拜訪的鄰居米蘭達(dá)（本·金斯利 Ben Kingsley飾）的車子推落山崖，憑著米蘭達(dá)車?yán)锏拇艓А八劳龊吞幣?，以及米蘭達(dá)的氣味和呼吸，波利娜堅(jiān)信，米蘭達(dá)就是當(dāng)時(shí)對(duì)她施暴的元兇?！ ∷l(fā)了瘋似的把米蘭達(dá)綁在房間，要和丈夫一起審判這個(gè)罪犯。然而，米蘭達(dá)分明有著確鑿的不在場(chǎng)證據(jù)，這令丈夫也難以相信波利娜的認(rèn)定。這一切是波利娜的幻覺，還是確有其事，這場(chǎng)審判會(huì)令真相一一浮出水面。
8.0 其它?·?2020?·?其它?·?劇情片?
Indira Rubie Andrewin,Gilberto Barraza,Mariano Tun Xool,埃利希奧·梅蘭德斯,加維諾·羅德里格斯,Shantai Obispo,Cornelius McLaren,Gildon Roland,Dale Carley,Ian Flowers,José Alfredo González Dzul,Antonio Tun Xool,Eliseo Ma
叢林、惡魔和一個(gè)神秘的年輕女子：墨西哥導(dǎo)演尤勒妮·奧萊索拉的新片深入瑪雅人的神話世界。1920年，墨西哥和伯利茲之間的綠色無人區(qū)。一群墨西哥人正在原始森林的樹上敲打著木皮，這是瑪雅人用來當(dāng)口香糖的粘稠物質(zhì)。突然，男人發(fā)現(xiàn)一個(gè)昏迷的年輕女子，并把她帶到他們的營地。這個(gè)神秘的陌生人的出現(xiàn)引起了男人們的緊張，并激發(fā)了他們的想象力。他們一個(gè)接一個(gè)地中了她的魔咒，但為時(shí)已晚，他們意識(shí)到自己已經(jīng)喚醒了潛伏在叢林中心的瑪雅女妖Xtabay。
7.0 其它?·?2017?·?其它?·?劇情片?
Orestes Amador,Ramón Emilio Candelario,Carlota Carretero,Jose Cruz,Gilberto Hernández,Jean Jean,Aleja Johnson,Fernando De Jesús Mejía,Mario Nunez,Cape Ramírez,Manuel Raposo,Judith Rodriguez Perez,Meri
Julián finds love and a reason for living in the last place imaginable the Dominican Republic's Najayo Prison. His romance, with fellow prisoner Yanelly, must develop through sign language and without the knowledge of dozens of guards.